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Review: The Trip

“An issue arises when the distinction between what we are supposed to take as real and what we know is staged becomes muddy, though we still accept it because the suspension of disbelief makes it that much more entertaining. In Michael Winterbottom’s The Trip, this model is adopted and the result is fair to middling.”

The Trip


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“An issue arises when the distinction between what we are supposed to take as real and what we know is staged becomes muddy, though we still accept it because the suspension of disbelief makes it that much more entertaining. In Michael Winterbottom’s The Trip, this model is adopted and the result is fair to middling.”

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Jesse Klein (MFA in Film and Video Production from The University of Texas at Austin) is a Montreal-born filmmaker and writer. His first feature film, Shadowboxing, (RVCQ '10, Lone Star Film Festival '10) . As well as contributing to IONCINEMA, he is the senior contributor to This Recording and writes for ION Magazine and Hammer to Nail. Top Films From Contemporary Film Auteurs: Almodóvar (All About My Mother), Coen Bros. (Fargo), Dardenne Bros. (Rosetta), Haneke (The White Ribbon), Hsiao-Hsien (Flowers of Shanghai), Kar-wai (In The Mood For Love), Kiarostami (Close-Up), Lynch (Blue Velvet), Tarantino (Jackie Brown), Van Sant (To Die For), von Trier (Breaking The Waves)

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