The Station Agent | Review

Date:

Loneliness is the ticket for this ride.

Soul-searching in mass droves and chasing locomotive trains are the make-up of this simple, yet sensitive memo that cleaned up the top awards at this year’s Sundance. While touching audiences and film critics alike, director Tom McCarthy’s drama banks on the poetry of trains and on silent frustrations that live within us all, but while striving for a less emotional charged, authentic portrayal of pain this tale seems to get a chopped down in size treatment where possible poignant moments are given a graze the surface focus and where abandoned railway station house in a place call Newfoundland are supposed to give the film more character than the characters themselves.

While the character of Fin played by actor Peter Dinklage (Just a Kiss) is the perfect prototype of an individual who wouldn’t share a penny for his thoughts, it is the film’s surrounding two other characters that are either too one-dimensional or who’s end of the relationship doesn’t seem to fit with the protagonist. The character of Joe played by Bobby Cannavale (The Bone Collector) is good for a couple of laughs but in the end he comes off looking like an annoying yapping Chihuahua waiting for a bone to be thrown his way, while the middle-aged woman in a bout of child loss, relationship breakups and depression (Patricia Clarkson – The Safety of Objects ) is too secluded and not explored enough to make the viewer care about her problems. At times this is about a small person’s world inside the cruel stupid humanity, but the film is more concerned about tying these characters together with a common thread, not only does it appear that they are lumped together by convenience but not once are we convinced that these lost souls deserve to co-exist or can even find solace with one another.

The film suffers from a chopped story and matches the tempo of train schedule of a lost city, The Station Agent is painfully slowed down perhaps giving to much weight to each half-moment and not enough emphasis on scenes such as class-room lecture which could have given this picture more of a punch.

Rating 1.5 stars

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...