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Closed Circuit | Review

Three Days of Ardour: Crowley’s Political Thriller Blunderbuss There’s considerable promise at the beginning of Closed Circuit, employing a sort of Mike Figgis cam of multiple...

Tsai Ming-Liang, Cristi Puiu, Albert Serra & Philip Gröning Among Off-beat Offerings in TIFF’s Wavelengths

Programmer Andrea Picard can do no wrong. From the compiled short and medium film offerings (see listing below for huge sampling of renowned world...

We’ve got Plans for NEXT Weekend; Blue Caprice, It Felt Like Love & A Teacher Part of Blossoming Sundance Sidebar

I'm pretty sure that four years back when Trevor Groth and John Cooper (Sundance programming tandem who overhauled, switched over and re-defined the Spotlight...

Blue Jasmine | Review

Blanchett Dubois: Allen Channels Tennessee For His Best Film in Years While few directors are as steadfastly perennial as Woody Allen, his constant output seems...

Computer Chess | Review #2

Check Mix: Bujalski’s Latest an Odd, Enigmatically Dry Experiment For his fourth feature film, indie film director Andrew Bujalski tackles the period peace, revisiting an...

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Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

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