Search results for: Ann Hui

What do Central Station (1998), The Thin Red Line (1999) and Paul Thomas Anderson's Magnolia (2000) all have in common? They were awarded the top honor at the Berlin Film Festival and you can add Honey, the final leg in Semih Kaplanoglu's trilogy which commenced with Egg and last year's Milk, to that grouping.

Christopher Doyle's "Picture Start" (Doyle (Happy Together) reconsiders how images evolve before the director’s call to “action” and what happens to them after the “cut.” Doyle superimposes directives from traditional film leader on to the processed still film and filmmaking images he has created during his extensive career.

The current issue of Filmmaker Magazine has hit kiosks and the only reason why I'd be pointing this out is because it includes its annual "25 New Faces" feature (available here) which is basically: a sampling of the future voices, filmmakers, editors, actors and cinematographers who in the opinion of the magazine's editors represent the future of independent filmmaking and who, I admittedly know only two of the twenty-five.

Germany's Oliver Hirschbiegel and Denmark’s own Lone Scherfig and Nicolas Winding Refn are among those representing their latest works in the World Dramatic Competition. The selection committee had the crazy task of bringing down the total number 1,012 submissions down to 16.

IONCINEMA.com is proud to feature the rookie and veteran filmmakers showcased and nurtured at the 2008 edition of the Sundance Film Festival.