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Tracking Shot October: Barthes’ Madame Bovary, Renzi’s Franny, Bonello’s Saint Laurent, Bell’s Shiva & May

“Tracking Shot” is a monthly featurette here on IONCINEMA.com that looks at a dozen or so projects that are moments away from lensing and...

TIFF 2011: Lanthimos, Loktev, Ostlund and Bonello Lead Rich Visions Offerings

We here at IONCINEMA.com like to think of the offerings in TIFF's Visions programme as the lieu where we find solace in cinema. Curators have grabbed envelope pushing items from Berlin in Dreileben (Three Lives) Christian Petzold, Dominik Graf and Christoph Hochhäusler, items we caught in Cannes from auteurs Bertrand Bonello, Alejandro Landes, Ruben Östlund and Vimukthi Jayasundara, Locarno's The Loneliest Planet (Loktev) and Venice items such as one of our most anticipated must see films of the year in Alps (see first look above) and Venice's Orizzonti section selected Swirl (Helvecio Marins Jr. and Clarissa Campolina), Kotoko (Shinya Tsukamoto) and Amir Naderi's Cut.

Cannes 2011: Bonello’s ‘L’Apollonide’ Asks For Tolerance in Main Competition

There is no ambiguity with Bertrand Bonello's newest film House of Tolerance (L'Apollonide - souvenirs de la maison close), though, as the film was shot near Paris, and Bonello himself was actually born in Nice, a spitting distance from Cannes' shore.

Cannes 2010 Predictions (Sidebars): Bertucelli, Bonello, Muntean, Fliegauf

Screen Daily made up their own Tips list with some surprise titles that I don't think will make it to Cannes (although I badly want to see Abdellatif Kechiche's Black Venus, I think he might return to Venice), and some titles that have a good shot which I did not mention (John Cameron Mitchell's Rabbit Hole) and plenty of their list mimics my picks - such as Julie Bertucelli's The Tree.

Cannes’ L’Atelier 2012: Marco van Geffen and Mahmoud Al Massad Among 15 Selected

In the seven previous editions (with 2007 being the best crop of films with noteworthy titles such as Bertrand Bonello's De La Guerre, Michelangelo Frammartino's Le Quattro Volte, Semih Kaplanoglu's Milk, Ciro Guerra's The Wind Journey, João Pedro Rodrigues' To Die Like A Man and So Yong Kim's Treeless Mountain), L’Atelier has been a pivotal stop for new auteurs in world cinema finding some coin. And while this doesn't carry the same weight as Rotterdam, so far the ratio is 72 for 115. Among the 15 projects selected this year we find find the likes of Dutch helmer Marco van Geffen (pictured) who gave us last year's Among Us (Locarno, TIFF), docu helmer Mahmoud Al Massad (Sundance's Recycle) and a foursome of filmmakers who've workshopped their nascent projects at the well-regarded Torino Film Labs. Here's the list below:

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