Search results for: Catherine Breillat

Deemed as re-branding of the section, a more eclectic melange of titles mixing short, medium length pics, documentaries film and feature length items, of the items that will generate the most interest are the opening and closing titles which were revealed the week before, but we should see media coverage mentions on Paul Morrissey's News From Nowhere, Jose Luis Guerin's docu Guest (I've yet to see 2007/2008's In the City of Sylvia) and Sion Sono's Cold Fish and short film offerings from Guillermo Arriaga, Isaac Julien and Clara Law.

I don't think the title of head programmer for any festival is an easy job, but I'd argue that Marco Müller has it "easy" this year. With so many of the world's best auteurs having not been ready to deliver at the Cannes deadline, the 67th edition of the Venice Film Festival (which will run 1st to 11th September 2010) is going to be loaded in premium titles. With many items having already been mentioned and speculated on before, here is an updated predictions list with a good helping of new names.

Canada's most avant-garde film festival have released their entire slate for their 38th edition. Apart from Lee Daniel's pegged for Oscar - Precious, Lone Scherfig's An Education, Lars von Trier's Antichrist and Pedro Almodóvar's Broken Embraces (Los abrasos rotos), this year's edition is filled to the gills with obscure titles and names that even a hardcore connoisseur of world cinema such as myself is unfamiliar with.

Joe Dante will be presenting not one, but two films at the Lido. The Venice Film Festival will be presenting Dante's latest film - the 3D supernatural called The Hole and will include a re-cut showing for The Movie Orgy - Ultimate Version. The stitched together pic, that Dante made during his student days, is a back-breaking 280-minute look at the B films from the 50's and 60's which I'm sure would be a blast for folks like Quentin Tarantino.

I'd focus on Maren Ade's Everyone Else (Kent Jones wrote an essay in this month's Film Comment about this German film and comparable on-screen relationships citing Cassavetes and Bergman examples), Zhao Dayong's three hour documentary film (Ghost Town) about how China's Cultural Revolution didn't benefit everyone and (see pic) Samuel Maoz's circa 1982 film (Lebanon) which will screen at Venice, TIFF and at the Lincoln Center - not bad for a first time filmmaker!