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The Vourdalak | Review

Love in the Blood: Beau Resurrects Russian Vampire Clan in Eccentric Genre Throwback Chuck Palahniuk wrote it best, referencing an ‘old saying’ in his 1996...

Simon of the Mountain | 2024 Cannes Film Festival Review

The Face of An(other): Luis Complicates Identity Politics Although it’s playing quite purposefully with various ambiguities and motifs, Federico Luis’ directorial debut Simon de...

Coup de chance | Review

Bad Luck Banging: Luck is a Fickle Mistress in Allen’s Amusing Gallic Debut For his fiftieth (and rumored to be last) film, Woody Allen’s French...

2024 Cannes Film Festival Predictions – Directors’ Fortnight

In their inaugural edition and first mandate, Artistic Director Julien Rejl oversaw a significant transformation of the Directors' Fortnight, not only altering its name...

2024 Eurimages: Tarik Saleh, Hafsia Herzi, Joachim Trier, Carla Simon & Amanda Kernell Land Coin

The results of the first Eurimages Project Evaluation Session of 2024 have been unveiled and among the batch of European-based filmmakers to receive some...

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Team Sport: Suzanne Lindon Places Pierfrancesco Favino in Thorny Situation in ‘L’Équipe’

With Gustave Kervern's Voilà, c'est fini and Guillaume Nicloux's...

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...

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