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Bird | Review

Dole Days: Arnold Flutters About with Strange Bedfellows There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and...

The Babadook | Review

Consequences of Grief: Kent’s Stunning Debut Wades Through Primordial Fears Satisfying genre films are generally few and far between these days, so it’s with absolute...

Hard Truths | 2024 Toronto Intl. Film Festival Review

Take A Chance On Love: Mike Leigh Delivers A Late Career Powerhouse You can’t help but wonder if Mike Leigh is making a sly joke...

Fogo do Vento (Fire of Wind) | 2024 Locarno Film Festival Review

The Wind Carries On: Mateus Crafts Political Fable Fusing Past & Present In her debut film, Fogo do Vento (Fire of Wind), which finds a...

Last Summer (L’Été dernier) | Review

One Deadly Summer: Breillat Agitates Another Sexual Taboo Suddenly, last summer, a successful lawyer who has it all risks throwing her life away with an...

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Team Sport: Suzanne Lindon Places Pierfrancesco Favino in Thorny Situation in ‘L’Équipe’

With Gustave Kervern's Voilà, c'est fini and Guillaume Nicloux's...

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...

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