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Paper Tiger | 2026 Cannes Film Festival Review

In the Forests of the Night: Gray Frames Fearful Symmetry Had James Gray been prolific during the glory days of New Hollywood from the late...

2026 Berlinale: Teodora Ana Mihai, Ulrike Ottinger, Hong Sangsoo, Gabe Klinger & Jérémy Comte Selected

Just before they unveil the titles competing for the Golden Bear, we now have a proper overview of some of the other savoury items...

2025 Sundance: Jianjie Lin, Jorge Thielen Armand & Robert Machoian/Rodrigo Ojeda-Beck Among Selected Shorts

57 films selected from a whopping 11,153 submissions (4,909 U.S. submissions and 6,244 international) packed into eight curated Short Film Programs. Among the more...

2025 Sundance: Cherien Dabis, Mary Bronstein, Amalia Ulman, Clint Bentley, Ira Sachs & Bill Condon in Premieres Section

On paper, this year's Premieres section offerings (fiction and non-fiction) should be all the hyope and talked about well into awards season. Some of...

2022 Toronto Intl. Film Festival: 100 Predictions (Part III) Chen, Frears, Zeller, Lafleur, Spielberg & Polley

And here we are with the third part in our top 100 predictions. Chad Chenouga's third feature film Le Principal might be one of those...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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