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Backstabbing for Beginners | Review

The Oil and the Pussycat: Fly’s English Debut Sinks to the Bottom Danish director Per Fly makes his English language debut with Backstabbing for...

Kings | Review

Ease on Down the Road: Ergűven Presents Tone-deaf, Head-Scratching Portrait of L.A. Race Riots Joining Kathryn Bigelow (whose searing Detroit, depicting the 1967 riots of...

Kodachrome | Review

Picture This: Raso’s Estranged Road Movie Wrecks At The Starting Gun Coming across like a thin coat of bright paint over dated decorative wallpaper sans...

Wildling | Review

The Kids Are Not Alright: Böhm Bares His Fangs In Tepid Feral Frightfest Children are scary enough without them being feral, and that fear is...

The Conversation – Cannes Predictions VI: Middle East Repped by Nuri Bilge Ceylan, Jafar Panahi & Hiner Saleem

We can anticipate a handful of items from the Middle East, Africa, and India will populate several sidebars, if not the competition itself. Turkey,...

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Sister Midnight | Review

Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been...

The Damned | Review

The Damned Do Cry: Minervini Details a Doomed Mission For...

Exclusive Clip: It’s Chill Vibes (for Now) in Pedro Pinho’s ‘I Only Rest In The Storm’

After premiering The Nothing Factory in the Directors' Fortnight...

Caught by the Tides | Review

The Tide is High: Zhangke Splices Thwarted Romance Across...

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