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The Conversation – Cannes Predictions II: La France

Perhaps more contentious than any other competition titles are the French language items jockeying for coveted slots which are announced last. Both Claire Denis...

Friday’s Child | 2018 SXSW Film Festival Review

Edward's Coming of Age Thriller on the Fringe is a Big Mood Some films aren’t meant to be enjoyed, some instead exist to agitate and...

Ismael’s Ghosts (Director’s Cut) | Review

Call Me, Ismael: Desplechin Presents Jumbled Portrait of the Artist as a Dulled Man Perhaps not since the quill of Charles Dickens, wherein iconic Ebenezer...

2018 Tribeca Film Fest’s Viewpoint includes: Robert Machoian & Rodrigo Ojeda-Beck, Hagar Ben-Asher, Nathan Silver

Tribeca Film Fest’s Viewpoint section has some micro gems from some filmmakers we've come to champion here on the site with three items in...

Through the Looking Glass – The Top 50 Foreign Films of 2019: Picks #50 to #11

As we look forward to a plentiful year of new cinematic offerings in 2018, it’s also time to look even further into the horizon...

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Sister Midnight | Review

Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been...

The Damned | Review

The Damned Do Cry: Minervini Details a Doomed Mission For...

Exclusive Clip: It’s Chill Vibes (for Now) in Pedro Pinho’s ‘I Only Rest In The Storm’

After premiering The Nothing Factory in the Directors' Fortnight...

Caught by the Tides | Review

The Tide is High: Zhangke Splices Thwarted Romance Across...

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