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First the Fatherland in Zvyagintsev’s “The Return” (2003) | Blu-ray Review

Russian auteur Andrey Zvyagintsev famously nabbed the Golden Lion at the 2003 Venice Film Festival for his auspicious directorial debut The Return, an allegorical...

2018 Venice Film Festival: Jennifer Kent, Alverson, Corbet, Schnabel & Coen Bros. in Comp

Surprise, surprise. At the end of the day, Ethan and Joel Coen's The Ballad of Buster Scruggs is a feature film (not a series)...

Carpenter’s Nowhere to Be Seen in his Memoirs of an Invisible Man (1992)

John Carpenter’s first entry in the 1990s, Memoirs of an Invisible Man, plays like the death knell of the genre icon’s impressive career, marking...

Criterion Collection: Dietrich and von Sternberg in Hollywood | Blu-ray Review

She would be revered as one of the most famous sex symbols of the twentieth century. He would become renowned as one of early...

Backstabbing for Beginners | Review

The Oil and the Pussycat: Fly’s English Debut Sinks to the Bottom Danish director Per Fly makes his English language debut with Backstabbing for...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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