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The Conversation: Time for TIFF 2019 – Predictions!

The Toronto International Film Festival is set to unspool its latest monolithic program. A major cue to set Oscar season into motion, the line-up...

IONCINEPHILE of the Month: Eva Vives (All About Nina)

IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. This past April at the Tribeca Film Festival, Eva...

Wonder Wheel | Review #1

Woody Allen’s Wheel of Misfortunes: An Opera of Human Frailty Year after year, films by the prolific Woody Allen seem to build on each...

2018 Indie Spirit Noms: Guadagnino’s “Call Me by Your Name” Leads Pack with 6, Benny Safdie Lands 3

It's the head-scratching nominations process where Greta Gerwig's Lady Bird is good enough for the Best Feature category and picks up four nominations in...

Snatched | Review

Those Who Love Me Can Take the Trainwreck: Levine Streamlines the Diffident Return of Hawn into So-So Mother-Daughter Comedy More often than note, notable actresses...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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