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The Mastermind | Review
Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker
Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt,...
2025 NYFF: Ulrich Köhler’s Gavagai, Claire Denis’ The Fence & No Other Choice Among Main Slate Selections
A dash of Sundance, a pinch of the Berlinale, a sprinkling of Cannes and a good number of Venice Film Festival items (Duse, Jay...
2025 Cannes Film Festival – Checklist of Our Reviews
IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...
2025 Cannes Critics’ Panel: ‘Sirat’ ‘The Secret Agent’ & ‘It Was Just an Accident’ Finish 1-2-3!
Tomorrow is the big day. There were twenty-two films in competition and only one will take home the big daddy prize. If it were...
2025 Cannes Critics’ Panel: Day 4 – Ari Aster’s ‘Eddington’
Unless we count some items he produced, Ari Aster is one of the filmmakers coming to Cannes without any previous Croisette history. A standout...
