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2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse budgets, the upcoming Gotham Awards have set the stage for a compelling David vs. Goliath...

The Mastermind | Review

Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt,...

2025 NYFF: Ulrich Köhler’s Gavagai, Claire Denis’ The Fence & No Other Choice Among Main Slate Selections

A dash of Sundance, a pinch of the Berlinale, a sprinkling of Cannes and a good number of Venice Film Festival items (Duse, Jay...

2025 Cannes Film Festival – Checklist of Our Reviews

IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...

2025 Cannes Critics’ Panel: ‘Sirat’ ‘The Secret Agent’ & ‘It Was Just an Accident’ Finish 1-2-3!

Tomorrow is the big day. There were twenty-two films in competition and only one will take home the big daddy prize. If it were...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

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