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2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse budgets, the upcoming Gotham Awards have set the stage for a compelling David vs. Goliath...

The Mastermind | Review

Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt,...

2025 NYFF: Ulrich Köhler’s Gavagai, Claire Denis’ The Fence & No Other Choice Among Main Slate Selections

A dash of Sundance, a pinch of the Berlinale, a sprinkling of Cannes and a good number of Venice Film Festival items (Duse, Jay...

2025 Cannes Film Festival – Checklist of Our Reviews

IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...

2025 Cannes Critics’ Panel: ‘Sirat’ ‘The Secret Agent’ & ‘It Was Just an Accident’ Finish 1-2-3!

Tomorrow is the big day. There were twenty-two films in competition and only one will take home the big daddy prize. If it were...

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2026 Cannes Critics’ Panel: Day 1 – Charline Bourgeois-Tacquet’s ‘A Woman’s Life’

With her sophomore feature, Charline Bourgeois-Tacquet made her first...

2026 Cannes Critics’ Panel: Day 1 – Koji Fukada’s ‘Nagi Notes’

Koji Fukada emerged as one of the major voices...

A Woman’s Life (La Vie d’une femme) | 2026 Cannes Film Festival Review

Things to Come: Bourgeois-Tacquet Explores an Affair to Remember Crimes...

Nagi Notes | 2026 Cannes Film Festival Review

Only the Lonely: Fukada Explores Constructions of Identity Japanese auteur...

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