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2025 Gothams: Studio-Backed ‘One Battle After Another’ Takes on True Indies; Lands Six Noms

In a cinematic landscape increasingly dominated by gargantuan, risk-averse budgets, the upcoming Gotham Awards have set the stage for a compelling David vs. Goliath...

The Mastermind | Review

Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt,...

2025 NYFF: Ulrich Köhler’s Gavagai, Claire Denis’ The Fence & No Other Choice Among Main Slate Selections

A dash of Sundance, a pinch of the Berlinale, a sprinkling of Cannes and a good number of Venice Film Festival items (Duse, Jay...

2025 Cannes Film Festival – Checklist of Our Reviews

IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...

2025 Cannes Critics’ Panel: ‘Sirat’ ‘The Secret Agent’ & ‘It Was Just an Accident’ Finish 1-2-3!

Tomorrow is the big day. There were twenty-two films in competition and only one will take home the big daddy prize. If it were...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

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