Oscar Aitchison

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Based in Brighton, U.K., Oscar Aitchison is the U.K. Film Reporter and a Contributing Editor for IONCINEMA.com. He holds a Bachelor’s degree in Film Practice from London South Bank University and a Master’s degree in Screenwriting from the London College of Communication. Since graduating, he has worked as a Director’s Assistant on a 2026 feature film and as a Script Supervisor on an upcoming 2026 short film. He also completed an editorial internship at Little White Lies in 2025.

Exclusive articles:

Lali | 2026 Berlin Intl. Film Festival Review

Ghosts of Past & Present: Sultan Khoosat Hones His Visual Flair But Latest Devolves Into Silliness A universal thematic thread of the past haunting its...

No Salgas (Don’t Come Out) | 2026 Berlin Intl. Film Festival Review

It Doesn’t Follow: Linares Villegas’ Queer Horror Forgets the Fright Factor Horror has long been a safe space to explore queer stories; from cult classics...

Light Pillar | 2026 Berlin Intl. Film Festival Review

Capitalism & The Cosmos: Jinwei Ambitiously Explores China’s Future with a Stark Warning For Its Present Long have Chinese filmmakers used the medium of film...

Trial of Hein (Der Heimatlose) | 2026 Berlin Intl. Film Festival Review

Far From Home: Stänicke’s Direction Leaves the Audience Marooned How does one define their own home? Is it the place we were born? The place...

You BETcha!: ‘Yellow Letters’, ‘Rose’ & ‘Queen at Sea’ are the Golden Bear Frontrunners

YouBETcha! is back, this time for our Berlinale edition, where we guess the odds of the films most likely to pick up the converted...

Breaking

The Echo Chamber | 2026 Venice Film Festival Review

An Affair to Disremember: Pallaoro Explores the Unbearable Bleakness...

Oase (Oasis) | 2026 Venice Film Festival Review

The Child Inside: Lenz Explores the Virtues of Violence For...

Possible Love | 2026 Venice Film Festival Review

Blue is the Warmest Collar: Chang-dong Prepares a Touch...

It Will Happen Tonight (Succederà questa notte) | 2026 Venice Film Festival Review

The Birds, the Bees and the (Displaced) Italians: Moretti...
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