Oscar Aitchison

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Based in Brighton, U.K., Oscar Aitchison is the U.K. Film Reporter and a Contributing Editor for IONCINEMA.com. He holds a Bachelor’s degree in Film Practice from London South Bank University and a Master’s degree in Screenwriting from the London College of Communication. Since graduating, he has worked as a Director’s Assistant on a 2026 feature film and as a Script Supervisor on an upcoming 2026 short film. He also completed an editorial internship at Little White Lies in 2025.

Exclusive articles:

Light Pillar | 2026 Berlin Intl. Film Festival Review

Capitalism & The Cosmos: Jinwei Ambitiously Explores China’s Future with a Stark Warning For Its Present Long have Chinese filmmakers used the medium of film...

Trial of Hein (Der Heimatlose) | 2026 Berlin Intl. Film Festival Review

Far From Home: Stänicke’s Direction Leaves the Audience Marooned How does one define their own home? Is it the place we were born? The place...

You BETcha!: ‘Yellow Letters’, ‘Rose’ & ‘Queen at Sea’ are the Golden Bear Frontrunners

YouBETcha! is back, this time for our Berlinale edition, where we guess the odds of the films most likely to pick up the converted...

How to Divorce During the War | 2026 Sundance Film Festival Review

Invisible Missiles: Blaževičius Offers Chilly Portrayal of a Couple & Country in Crisis Given its title, Andrius Blaževičius’ third outing, How to Divorce During the...

Closure | 2026 Sundance Film Festival Review

Seriousness Sensationalized: Marczak Uses a Father in Turmoil to Showcase His Style The winding, seemingly endless Vistula River, the longest in Poland (and ninth longest...

Breaking

La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.
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