A Bronx Tale: Leon Crafts Subtly Observed Day in the Life
In young relationships different emotions mingle and conflate, complicating our roles, blurring how we...
At the beginning of every month, IONCINEMA.com's "Tracking Shot" features a handful of projects that are moments away from lensing and we feel are worth signaling out. This february we only have a fivesome of films worth mentioning that are definitely going to be major studio titles to watch out for in 2012ish.
Next week is when hopeful screenwriters who've had one of their scripts circulate the respective production houses are hoping that their screenplay gets a couple of extra bites. Now in it's sixth year, it'll also be a time when curious onlookers such as film executives, development people, agents and hardcore cinephiles take a gather at a list that emphasizes quality and original writing. blcklst.com has been all spruced up for the occasion --- so you should definitely check back there to see what 2010 will reveal -- and if you're like us and like to revisit Best of Lists of the previous years. Last year over 300 executives contributed their opinion to make up a Black List that had a Muppet Movie (not the Jason Segel project) in the number one spot and The Social Network at number 2.
Let me toot my own horn a bit. Of the 16 selected films out of 1,102 submissions, I accurately predicted 12. Out of the four that didn't fly on my radar we find American New Wave 25 selected Sean Durkin, who will make it back to back years in Park City. He featured the marvelous, creepy Mary Last Seen there, and would start lensing Martha Marcy May Marlene in the summer...but my thinking was he was Cannes-bound with this one...he may still be, but Sundance is world preem launching pad for the pic.
Next week, the Sundance Film Festival will release about 100+ titles that are the make up of their upcoming edition and this can only mean one thing: this past week was the official nail-biting, living next to the phone type of deal for several first time filmmakers.