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2026 Berlinale: Rafael Manuel, Liz Sargent & Dara Van Dusen Debut Films in Perspectives Programme

Last year's first iteration had the likes of Kahlil Joseph's BLKNWS: Terms & Conditions, Arnaud Dufeys and Charlotte Devillers' On vous croit and Urška...

2025 Venice Film Festival – Checklist of Our Coverage

IONCINEMA.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all...

2025 TIFF: World Premieres Include Gavras’ ”Sacrifice’, Michôd’s ‘Christy’, Vanderbilt’s ‘Nuremberg’ & Winocour’s ‘Couture’

The Toronto International Film Festival have unveiled the heavy-hitters populating their Gala and Special Presentations sections making what sounds like an alluring line-up for...

Prix Iris 2024: Humanist Vampire Seeking Consenting Suicidal Person Leads “Quebec Oscars” Noms

Ariane Louis-Seize's Humanist Vampire Seeking Consenting Suicidal Person (winner of the Director's Award at Giornate degli Autori section in Venice Film Festival last year)...

2024 Venice Film Festival Predictions: Todd Phillips, Fabrice Du Welz & Pablo Larraín

Joker: Folie a Deux Dir. Todd Phillips Prod: Todd Phillips, Emma Tillinger Koskoff, Joseph Garner It would be kind of neat if the head jury person of...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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