The concept of ‘psychological horror’ is a genre notion all but extinct in modern cinematic renderings of thriller narratives, a once lucrative subgenre considered...
After premiering to divisive responses at the 2016 Cannes Film Festival where it played in competition (jeers were mixed with waves of derisive laughter...
The Guest Who’s Coming to Dinner: Ozon’s Period Culture Clash a Handsome, Uninvolving Production
In many ways, Francois Ozon’s output still swings jaggedly between the...