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2025 Prix IRIS: Rankin’s ‘Universal Language’ Leads “Quebec Oscar” Noms with 17; Lesage’s ‘Comme le feu’ Lands 8
Once again, the Gala Québec Cinéma's Prix IRIS (the "Quebec Oscars") has released a muddled field of nominations, awkwardly grouping standout 2024 films with...
The History of Sound | Review
One Sings, the Other Doesn’t: Hermanus Plays a Tune for the Broken Hearted
“Happiness doesn’t tell stories,” is a sage observation uttered in The History...
À pied d’oeuvre (At Work) | 2025 Venice Film Festival Review
Declaration of Poor: Donzelli’s Tone Deaf Survey of a Starving Artist
Despite honorable intentions, it’s difficult not to perceive Valérie Donzelli’s latest feature, At Work...
Motel Destino | Review
Destiny Indemnity: Ainouz Retrofits a Noir Classic
“Love, when you get fear in it, it’s not love any more, it’s hate,” wrote James M. Cain...
Suspended Time (Hors du Temps) | Review
Time Regained: Assayas Agonizes in Pretentious Pandemic Reflection
In what stands as evidence of a surprising lack of self-awareness, director Olivier Assayas reenacts a composite...
