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The Room Next Door | Review

Triumph of the Will: Almodovar’s Muy Excelente English Debut “Women and fiction remain, so far as I am concerned, unsolved problems,” wrote Virginia Woolf in...

Interview: Sophie Letourneur – Voyages en Italie

Obviously it was always going to be Italy. Not Spain. Misadventures that take place in real life are matched by the very creative adventures...

Chiara | 2022 Venice Film Festival Review

Sister and Her Sisters: Nicchiarelli Salutes a Saint in Solemn, Dull Period Reenactment The friendship between Saint Francis of Assisi and his obscured female counterpart...

The Human Voice | Review

Do You Really Want To Hurt Me?: Almodovar Finds a Talking Cure in Lavish Short In more ways than one, Pedro Almodóvar tackling an adaptation...

Interview: César Díaz – Our Mothers (Nuestras Madres)

Directed by Guatamalan filmmaker César Diaz, Our Mothers premiered at Cannes Critics' Week section and took home the top prize for a first time...

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2026 TIFF: Naishtat, Rachel Morrison & Bassam Tariq World Premieres Added; Zellners Heading to Venice

Five Special Presentations programme titles have been added to...

2026 NYFF: James Gray’s Nightmarish American Dream ‘Paper Tiger’ to Open 64th Edition

James Gray’s Paper Tiger has been selected by the...

2026 Venice: Danny Boyle’s ‘Ink’ is the Opener for Golden Lion Competition

Danny Boyle's INK will indeed competition for the Golden...

2026 Locarno Film Festival: Jury Duty for Fabrice Du Welz

Venice Film Festival just announced their jury, TIFF's Platform...

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