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The Weasels’ Tale [Video Review]

Pop Goes the Remake: Campanella Returns with Ghoulish Remake of Black Comedy In the 2000s, the New Argentine Cinema gained international prominence thanks to a...

2021 Sundance Film Festival Predictions: Amy Koppelman – A Mouthful of Air

For a festival that promotes new voices, how much fun would it be to see this debut break into the line-up? Proving that there...

Top 150 Most Anticipated Foreign Films of 2020: #40. Pour le meilleur et pour le pire – Stéphane Brizé

Pour le meilleur et pour le pire Stéphane Brizé reunites with Sandrine Kiberlain and Vincent Lindon for his ninth feature Pour le meilleur et pour...

Top 150 Most Anticipated Foreign Films of 2020: #42. The Nest – Sean Durkin

The Nest Eight years after the success of his 2011 debut Martha Marcy May Marlene, Sean Durkin resurfaces with sophomore feature The Nest, a Canadian-U.K....

A Bride for Rip Van Winkle | Review

(Not So) Bright Future: Iwai’s Returns with Troubling Portrait of Modern Love At the beginning of Japanese director Shunji Iwai’s latest film, A Bride for...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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