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Top 100 Most Anticipated Films of 2012: #27. Matthew Porterfield’s I Used to Be Darker

Talk about having this project tattooed to his heart (and arm - see pic above) - one of our U.S indie filmmaker revelations to watch out for is helmer Matthew Porterfield. His sophormoe feature, Putty Hill was a major hit at several film festival stops in 2010 (where we meet up with him for this viral interview) and the pic was not surprisingly mentioned on several top lists of the year 11'. He didn't waste anytime putting this project together - in one of the most funniest crowd-sourcing pleas, and we're kind of excited for this project in the way thousands incomprehensibly fell for music-imbedded in narrative Once.

Top 100 Most Anticipated Films of 2012: #43. Harmony Korine’s Spring Breakers

After his most recent creative misfires in Trash Humpers and Mister Lonely, I figured that I wouldn't be too pumped for Harmony Korine's future output...well I think I might be wrong with that assertion. With a premise that sounds Gregg Araki-like, with Steven Spielberg's right-hand man DP Janusz Kaminski on board and risk-taker James Franco being cast alongside tween icons (Selena Gomez, Emma Roberts, Vanessa Hudgens) we might just be in for an avant-garde caper film.

Top 100 Most Anticipated Films of 2012: #62. Scott McGehee and David Siegel’s What Masie Knew

I haven't been big on the Scott McGehee and David Siegel pairing since certain elements in 2001's The Deep End, but this triage drama via the eyes of a seven year-old protagonist might do the trick - we still have faith in Julianne Moore and we're of course curious to see how the core of a Henry James novel might still be relevant 100 years after publication.

West Side Story 50th Anniversary Edition [Blu-ray] | DVD Review

"Available in an eye-popping new 50th Anniversary blu-ray edition, the film remains a surpassingly well designed and executed example of the Great American Musical. Through a synthesis of styles, the film echoes the great cultural melting pot of urban America post WWII, and uses an array of rousing set pieces to hint at the era’s growing unrest and generational division. Under the feel-good, entertaining veneer of Steven Sondheim’s witty lyrics and Jerome Robbins’ acrobatic choreography is a genuine whiff of the sour xenophobia that plagues the nation to this day."

Monsieur Lazhar, Wuthering Heights and Your Sister’s Sister: Tons of TIFF Items Moving to Sundance’s Spotlight Program

It'll be a TIFF does Sundance this year in the Spotlight Program as the majority of the films programmed in the section (which staffers state, "regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love") are films that moved from Cannes to TIFF en route to Sundance or had their world premieres at TIFF and are moving into Park City.

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