It'll be a TIFF does Sundance this year in the Spotlight Program as the majority of the films programmed in the section (which staffers state, "regardless of where these films have played throughout the world, the Spotlight program is a tribute to the cinema we love") are films that moved from Cannes to TIFF en route to Sundance or had their world premieres at TIFF and are moving into Park City.
Of all the fourteen films/filmmakers mentioned we see Quentin Dupieux return to screen fairly quick after his debut film Rubber, we have Blue Tongue Films team member (Animal Kingdom, Hesher and tons of awesome short films) Kieran Darcy-Smith who gets behind the camera for Wish You Were Here with (see pic) Joel Edgerton topling.
Scott McGehee and David Siegel got their career starts at the festival with Suture (1993) followe by The Deep End (2001), but they haven't been back in a good decade. With a higher profile project - an adaption of a Henry James novel starring Alexander Skarsgård, Julianne Moore and Steve Coogan with Onata Aprile (from Cassevetes' Yellow) they have a valid reason to return. Filming on What Maisie Knew finished rather late in the year --- so this is perhaps a weak prediction guess but a welcomed one when you consider producer Daniela Taplin Lundberg's great relationship with the fest.
The Messenger was/is distinct indie fare, but Moverman's sophomore effort might fall into the "Drive" category -- accessible, larger audience films with an auteur treatment with plenty of attention to the details (look, performance, tone). The James Ellroy adapted dirty cop tale is based on true events and with a larger, more recognizable cast, and a re-pairing of Woody Harrelson and Ben Foster, there would appear to be more guarantee for the buck (award nominations, wide theatrical release).
At the beginning of every month, IONCINEMA.com's "Tracking Shot" features a handful of projects that are moments away from lensing and that we feel are worth signaling out. This June, we are keeping tabs on nine projects including the untitled, aka The Master from master filmmaker Paul Thomas Anderson.