Search results for: Xavier Dolan

One of the more enjoyable discoveries in covering a film festival is the uncovering of new talent: whether it be behind or in front of the camera. At this year's Cannes, I was introduced to a foursome of directors, several actresses and a genius performance from a French speaking newcomer you'll leave an imprint on world audiences.

When you cover a film festival of the size of Cannes, it is the standalone celluloid moments within a film that make the draining process of spending half the day in the dark actually worthwhile.

With no run away, break out titles as in the previous years (Babel, Volver, The Diving Bell and the Butterfly, NCFOM, Silent Light, The Class, Gomorrah, Synecdoche, New York, Waltz with Bashir) Cannes 2009 might not have been a bust, but it was disappointing to see so many mediocre films make it into the main comp.

The Safdie brothers who closed the same sidebar last year with a short film and The Pleasure of Being Robbed have combined their efforts to bring another project in Go Get Some Rosemary, which oddly sounds like something my mother might have said when I was a young lad. The pair to watch out for in the section are Colossal Youth's director Pedro Costa who returns to Cannes with his docu on Jeanne Balibar called Ne change rien. Three year's back he got beat up by critics. Woman Is the Future of Man's Hong Sang-soo (who I originally balked at including in my predictions for the Main Comp) is finally going to showcase his latest work (Like You Know it All) in the 41st edition of the section

At the beginning of the year, we gave our readers an overview of the most anticipated foreign films for the new year (Top 150...