Tag: 2019 Warsaw International Film Festival

Sister | 2019 Warsaw International Film Festival Review

Little Women: Tsotsorkova Poetic Study of Female Solidarity Svetla Tsotsorkova’s assured sophomore feature proves that the Bulgarian filmmaker has an unparalleled eye for the raw,...

Never Happened | 2019 Warsaw International Film Festival Review

Rewriting History: Bereznakova Presents Fresh View on Two Decade Poli-Scandal After working short documentaries, experimental and television film formats, Slovak director and video artist Barbora...

Interview: Olga Bieniek – Kult Film | 2019 Warsaw International Film Festival

Olga Bieniek's rock documentary Kult Film is an ode to Poland's incredibly longstanding band Kult whose energetic members are also nailing the fatherhood game....

Interview: Producer Ekaterina Filippova – Curator | 2019 Warsaw International Film Festival

Curator is a Georgian/Russian co-production directed by Petr Levchenko and presented at the Warsaw International Film Festival in the Competition 1-2 section, reserved to...

Curator | 2019 Warsaw International Film Festival Review

Minimizing Style to Maximize Effect: Levchenko Goes Deep in Russian Murder Drama According to the Cambridge English Dictionary the curator is a person who is in...

Invisible | 2019 Warsaw International Film Festival Review

Hidden Treasure: Jonynas Stages Greek Tragedy against Backdrop of Eastern Europe A student of Krzysztof Zanussi, Lithuanian director Ignas Jonynas infuses his third feature film...

Cat in the Wall | 2019 Warsaw International Film Festival Review

Walls of existence: Politics & Pettiness find a Way Through the Cracks of Everyday Life in Bulgarian Debut Bulgarian duo Vesela Kazakova and Mina Mileva’s...

Carturan | 2019 Warsaw International Film Festival Review

Pray the Lord My Soul To Take: Sandulescu’s Poignant and Witty Meditation on Mortality Liviu Săndulescu’s Carturan is a tale about bribery, the uncaring bureaucratic...

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Interview: Jihan K. – My Father and Qaddafi

Selected Out of Competition for the Venice Film Festival,...

Interview: Eva Victor – Sorry, Baby

Eva Victor’s Sorry, Baby is a sharply observed, emotionally...

Interview: Óliver Laxe – Sirāt

In his debut You Are All Captains (2010), Óliver...

The Secret Agent | Review

Mischief, Thou Art Afoot: Filho Captivates with Seductive, Furtive...