Tag: Emilie Dequenne

Top 100 Most Anticipated Foreign Films of 2022: #38. Lukas Dhont’s Close

Close Belgian filmmaker Lukas Dhont could't have asked for a better career launch than premiering his debut feature in the Un Certain Regard section and...

Love Affair(s) | Cannes 2020 Label Review

The Most Important Thing is to Love: Mouret’s Loquacious Ode to Capricious Romance(s) With narratives often constructed on the gossamer threads of human interactions, it’s...

Top 100 Most Anticipated Foreign Films of 2017: # 66. Lucas Belvaux’s This is Our Land

This is Our Land Director: Lucas Belvaux Writer: Lucas Belvaux, Jerome Leroy Belgian filmmaker Lucas Belvaux remains one of French language cinema’s most underrated directors. 2017 should...

Top 100 Most Anticipated Foreign Films of 2016: #86. Marc Fitoussi’s Maman a tort

Trainee Day Director: Marc Fitoussi Writer: Marc Fitoussi French director Marc Fitoussi is one of several notable filmmakers with an impressive body of work but whose titles...

Not My Type | 2014 COLCOA Review

A Game of Give and Take: Belvaux Examines Le Pompatus de L ’amour Known for a number of genre tinged thrillers that tend to examine...

Top 200 Most Anticipated Films for 2014: #173. Lucas Belvaux’s Not My Type

Not My Type (Pas son Genre) Director: Lucas Belvaux Writer: Lucas Belvaux Producer: Agat Films' Patrick Sobelman U.S. Distributor: Rights Available Cast: Emilie Dequenne, Loic Corbery, Anne Coesens Belvaux is,...

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2025 Cannes Critics’ Panel: Day 9 – Oliver Hermanus’ ‘The History of Sound’

South African filmmaker Oliver Hermanus might be another newbie...

2025 Cannes Critics’ Panel: Day 9 – Carla Simón’s ‘Romería’

In competition film #16 of the twenty-two offerings, and...

The History of Sound | 2025 Cannes Film Festival Review

One Sings, the Other Doesn’t: Hermanus Plays a Tune...

Romería | 2025 Cannes Film Festival Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After...