Tag: Héloïse Pelloquet
Leave One Day (Partir un Jour) | 2025 Cannes Film Festival Review
Chef’s Kiss: Bonnin Uses Familiar Recipe in Pleasant Debut
For her directorial debut, Partir un Jour (Leave One Day), based on her own 2021 Cesar...
Interview: Sofia Alaoui – Animalia
When the balance of the universe is disturbed, the hierarchy of nature's totem can be reconfigured. If the earth's creatures are more closely attuned...
Interview: Kamal Lazraq – Les meutes (Hounds)
Seeping with film noir elements, but working with a naturalism and with a moody underworld thriller genre with a certain dose of spirituality and...
Les meutes (Hounds) | 2023 Cannes Film Festival Review
Wash Away Your Sins: The Apple Falls a Bit Further Out From the Tree in Lazraq’s Stunning Debut
Father and son learn the power of...
Petite Solange | Review
Bonjour Tristesse: Ropert Explores Rude Awakenings in Tender Coming-of-Age Portrait
“What am I doing in this world?” wrote Paul Verlaine in his classic poem “The...
2022 Prix Louis-Delluc Noms: Saint Omer Lands Rare Double Noms As Best Film & Best First Film
A double winner in Venice this past September with the Silver Lion Grand Jury prize and Luigi De Laurentiis Lion of the Future award,...
2022 Cannes Film Festival Predictions – Critics’ Week
There have been some past editions that have been French/Euro heavy, but for the most part, the programme Critics' Week (Semaine de la Critique)...
Top 100 Most Anticipated Foreign Films of 2022: #99. Héloïse Pelloquet’s La Passagère
La Passagère
For almost a decade now Héloïse Pelloquet has cut her teeth as an editor -- mostly in the narrative short film format with...
