Tag: Héloïse Pelloquet

Interview: Sofia Alaoui – Animalia

When the balance of the universe is disturbed, the hierarchy of nature's totem can be reconfigured. If the earth's creatures are more closely attuned...

Interview: Kamal Lazraq – Les meutes (Hounds)

Seeping with film noir elements, but working with a naturalism and with a moody underworld thriller genre with a certain dose of spirituality and...

Les meutes (Hounds) | 2023 Cannes Film Festival Review

Wash Away Your Sins: The Apple Falls a Bit Further Out From the Tree in Lazraq’s Stunning Debut Father and son learn the power of...

Petite Solange | Review

Bonjour Tristesse: Ropert Explores Rude Awakenings in Tender Coming-of-Age Portrait “What am I doing in this world?” wrote Paul Verlaine in his classic poem “The...

2022 Prix Louis-Delluc Noms: Saint Omer Lands Rare Double Noms As Best Film & Best First Film

A double winner in Venice this past September with the Silver Lion Grand Jury prize and Luigi De Laurentiis Lion of the Future award,...

2022 Cannes Film Festival Predictions – Critics’ Week

There have been some past editions that have been French/Euro heavy, but for the most part, the programme Critics' Week (Semaine de la Critique)...

Top 100 Most Anticipated Foreign Films of 2022: #99. Héloïse Pelloquet’s La Passagère

La Passagère For almost a decade now Héloïse Pelloquet has cut her teeth as an editor -- mostly in the narrative short film format with...

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Nickel Boys | Review

Interview: Xiaoxuan Jiang – To Kill a Mongolian Horse (Red Sea Intl. Film Festival)

Across the Mongolian steppe, a herdsman confronts climate change,...

Kraven the Hunter | Review

Snack Attack: Kraven The Hunter Is More Empty Calorie...

Interview: Mahdi Fleifel – To a Land Unknown (Red Sea Intl. Film Festival)

There is a lesson in determination to be found...

2025 Sundance: Hailey Gates, Katarina Zhu & Eva Victor in U.S. Dramatic Comp

Among the batch of ten 2025 U.S. Dramatic Competition...