Tag: John Patton Ford

Family Plot: John Patton Ford Moves into Sophomore Feature “Huntington”

I recall researching filmmaker John Patton Ford for our Sundance predictions just prior to him launching Emily the Criminal (Best First Screenplay - Independent...

2022 Indie Spirits Awards Noms: The Cathedral, Palm Trees and Power Lines, Murina & Aftersun Are Glowing

Everything Everywhere All At Once, Tár, Women Talking and Bones and All are the heavyweight indies that will be properly feted the day before...

2022 Deauville Film Festival: War Pony, Aftersun & Emily the Criminal in Competition

With only a trio of films from this year's Sundance Dramatic Comp selected, this year's Deauville Film Festival has lassoed American indie films from...

2022 Sundance Film Festival: Phyllis Nagy, Lena Dunham, Jesse Eisenberg, John Patton Ford & Hazanavicius Fill Premieres Section

In the Premieres section you'll usually find a mix of studio unveilings and high profile acquisitions titles and in the almost equal split between...

2022 Sundance Film Festival Predictions: John Patton Ford’s Emily The Criminal

After getting a taste for what the film world has to offer when his thesis film Patrol premiered at the 2010 edition of the...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.