After Sundance leaves the Brooklyn's BAM, folks will have the opportunity to see some retro-Jean-Luc Godard. Personally, Pierrot Le Fou (1965) is another difficult film to mentally access, but perhaps with a new 35mm print it’s worth another viewing. Variety reports that Janus Films will release the 1965 pic on June 15 at BAM, followed by a screening at Toronto's Cinematheque Ontario on July 26; dates in Los Angeles, San Francisco, Chicago and other cities will be announced later with a sure bet that the Criterion Collection edition comes out later in the year.
Jean-Luc Godard's sixth film staring Anna Karina, his first wife. It is the story of Ferdinand (Jean-Paul Belmondo) and Marianne (Karina). They meet when Ferdinand's wife hires Marianne as a baby-sitter. As he drives Marianne home, Ferdinand decides to run away with her. The couple get caught up in a mysterious gun-running scheme involving Marianne's brother (Dirk Sanders). With Pierrot le fou Godard returns to the story of A bout de souffle (Breathless): the tale of a couple on the run. But in the six years between the two films Godard developed a more complex and often difficult style. Pierrot le fou incorporates musical numbers, references to the history of cinema and painting, and quotations from literature. The film features Godard's most extended use of color to that point, as the shots are filled with blocks of bright primary colors. Pierrot le fou is a catalogue of cinematic inventions and of gestures made by couples in love. ~ Louis Schwartz, All Movie Guide
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