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2024 Cannes Film Festival: Sergei Loznitsa, Leos Carax, Alain Guiraudie, Claire Simon & Noemie Merlant Pack Cannes

The Cannes Premiere section stocked up on films from France with Alain Guiraudie's Misericorde among the mix, the Out of Competition section added a...

2024 Cannes Film Festival Predictions – 25 Possible Palme d’Or Competition Films

Usually in the twenty to twenty-two film range, the competition for the Palme d'Or has been a tad more inclusive in recent years in...

Top 100 Most Anticipated Foreign Films of 2021: #71. Anita Rocha da Silveira’s Medusa

Medusa With her 2015 debut Kill Me Please, Brazil’s Anita Rocha da Silveira presented a vibrant giallo inspired film, arriving amongst a first wave of...

Top 100 Most Anticipated Foreign Films of 2021: #73. Axelle Ropert’s Petite Solange

Petite Solange For her fourth feature, writer/director Axelle Ropert will unleash Petite Solange, produced by Charlotte Vincent and lensed by Sebastien Buchmann (Alice and the...

21 Nights with Pattie | 2016 Rendez-Vous with French Cinema Review

Carnal Knowledge: The Larrieu Bros.’ Strange Depiction of Summer Lovin’ Directing duo Arnaud and Jean-Marie Larrieu create oddly distinct pieces of bizarre cinema, yet remain...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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