As a result of a bizarre 2009 production year, TIFF is the happy recipient of some premium titles which include the world premieres to some of my most anticipated films this year in: Mike Mill's Beginners, John Cameron Mitchell's Rabbit Hole, Mark Romanek's Never Let Me Go, Andrucha Waddington's Lope and Rowan Joffe's Brighton Rock. Then we have titles that are coming from this year's Sundance, Cannes or both (Blue Valentine picks up the trifecta honor) and then we have titles that come to us from out of nowhere with Michael Winterbottom's The Trip and Richard Ayoade's debut film, Submarine.
The noms are in folks (see full list below) and apart from the love that The Blind Side has received (the backlash has officially began around 9 eastern this morning), there are very little surprises -- which only means status quo on films and people that officially received the cold shoulder months ago.
The folks who brought us Certified Copy, Dogtooth and To the Sea have a huge film in their possessions that might topple the Venice Film Fest. MK2, the Sales Agent, Theatrical Distribution and Production Company must be close to selling out all the territories for Walter Salles' On the Road, but in the mean time they've got Beauty playing in the UCR, The Fairy opening the Directors' Fortnight, a doc on Charlotte Rmpling and are bringing back Melies' A Trip to the Moon to life.
Of all the films from down under, while Stuart Beattie's directing debut, With Tomorrow, When The War Began will likely grab the majority of the attention in the "market" portion at TIFF, this year there will be a half dozen Australian films featured at the film festival.
Deemed as a showcase for innovative new filmmakers, some noticeable inclusions begin with a Greek film hitting the Venice Film Festival that we've profiled on more than one occasion (ATTENBERG), and the world premieres for: Shawn Ku's Beautiful Boy and an opposite sounding title in Abe Sylvia's Dirty Girl, we have Max Winkler's directorial debut Ceremony - featuring Uma Thurman, and a Filmmaker Magazine 25 New Faces mentioned Arielle Javitch and her debut film, Look, Stranger.