Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Touch of Classical: Lorber Find the ‘Genius Within’

Lorber Films are plugging their autumn schedule with Peter Raymont and Michèle Hozer's Genius Within: The Inner Life of Glenn Gould, a doc that was first showed at TIFF.

Jennifer Lawrence and Max Thieriot Step into Tonderai’s ‘House at the End of the Street’

House at the End of the Street is looking to be a definite 2011 release. Moving at an almost breakneck speed, after adding Mark Tonderai earlier in the year for the director's seat, according to THR, the production have managed to lasso raising stars Jennifer Lawrence and Max Thieriot for the lead roles. Production would begin mid July-ish in Ottawa, Canada.

Julia Loktev Begins Lensing ‘The Loneliest Planet’ this Month

Julia Loktev's The Loneliest Planet will be lensed far from the streets of New York, filming takes place in what I imagine will be the difficult Caucasus Mountains of Georgia - with thesps Gael García Bernal and Hani Furstenber (Yossi & Jagger) onboard playing a couple who by the synopsis below, are on the brinks of their relationship in both an emotional and physical location sense.

Oscilloscope Beat to the Same Drum and Add Burroughs to Ginsberg

Oscilloscope Laboratories have picked up a companion film of sorts to the acquisition they made in April with Howl which is set for a late September release. Yony Leyser's docu William S. Burroughs: A Man Within will be set for a fall theatrical release and ties in perfectly with the Ginsberg flick - as they were both the founding members of the Beat Generation.

Film Review: Housemaid, The

"Despite the sillier elements and not to mention an even more perplexing climax, there is an upside to the pic in terms of its aesthetic and some of the edgier elements describing the different posits between characters. With a Cannes label on it, this could be a surprise breakout film for the Korean filmmaker."

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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