Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Cannes Video Day 3: Katell Quillevere’s Un poison violent

Un poison violent (translates into Love Like Poison) is Jean Vigo prize wining screenplay - your typical French family drama big on dialogue, not interested in style. Helmer Katell Quillévéré presented her directorial debut in the Quinzaine last night and I couldn't help think back to last year's Bruno Dumont film Hadewijch - both films take certain aspects of religion and cross it with female adolescence.

Cannes Video Day 3: Cristi Puiu’s Aurora

Following in the footsteps of the multiple festival winning 2005's The Death of Mr. Lazarescu, Aurora is from what I learned in the press book, not the second, but one 6 in a series by Puiu called Six Stories from the Outskirts of Bucharest. Puiu and the entire cast & crew were on hand to present the 181-minute film.

Cannes Video Day 2: Behind Locker Number…

We have the press books for Patricio Guzman's Nostalgia for the Light, Hideo Nakata's Chatroom, Cheol So Jang's Bedevilled, Cristi Puiu's Aurora, Katell Quillevéré's Un Poison violent, Gust Vandenberghe's Little Baby Jesus of Flandr and Diego Lerman's La Mirada invisible (pic above).

Cannes Video Day 2: Radu Muntean’s Tuesday, After Christmas

Here is some après screening footage from the premiere for the Un Certain Regard selected, Tuesday, After Christmas. The film's director Radu Muntean is the one in the black shirt and big smile while his core trio of actors (Mimi Brănescu who plays the protagonist named Paul, Mirela Oprişor who plays the wife and Maria Popistaşu who plays the mistress) are to the right of him.

Review: Tournee (On Tour)

"Behind the camera, Amalric cares a little too much about the atmospheric details and cares very little about why we should empathize with his character or his cast of outcasts. The rock bottomness discourse about one man's realization that the opulent world is no longer accessible should deliver more substance than moments where he steals sugar packets and mints from restaurant establishments without the disregard of habitual shoplifter, but out of desperation."

Breaking

Children of the Monkey (I figli della scimmia) | 2026 Venice Film Festival Review

The Favorited Son: Landucci Looks at How Love Can...

Your Mother Your Mother Your Mother | 2026 Toronto Intl. Film Festival Review

Holy War: Mahershala Ali Unleashes Fatherly Vengeance Your Mother Your...

Back to Buenos Aires | 2026 Venice Film Festival Review

The Doctor and the Devils: Bechis Explores the Agony...

A Bit of Light | 2026 Venice Film Festival Review

Under the Cherry Moon: Asgari Lets the Sun Shine...
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