Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Winding Refn in Driver’s Seat for ‘Drive’, Gosling Will Step on Gas

After a lengthy career in genre cinema, Denmark's Nicolas Winding Refn is finding himself in the driver's seat. With a couple of Hollywood options available to him, the filmmaker is now doing donuts around Drive - a Universal project that once had Neil Marshall on board to direct and had Hugh Jackman manning the wheel. Another bit of interesting news is that the helmer will be teaming with Ryan Gosling...

Summit is the Cure for ‘Cancer’ Tearjerker Comedy

The buyers at Summit Entertainment must be fans of the annual Black List of the Best in Unproduced screenplays as they have just added their third in a little less than half a year. After picking up the top of 2008's list in The Beaver (at the very beginning of production) and setting up shop for Duncan Jones' forthcoming Source Code (a 2007 top 20 spec), the indie distributor which was able to bankroll of three projects due to the Twilight films has bought the North American rights to the (currently in pre-production) film once going by the excellent title of I'm with Cancer.

Update: Penelope Cruz Very Unlikely for von Trier’s Planet Melancholia?

With the EFM & Berlin in full prep mode, the very believable news that Penelope Cruz would be joining the greatest director in the world is good news for art-house patrons. Lars von Trier humorlessly referred to himself as the best -- I'll defend the Dane by saying he was simply having fun with the media frenzy in Cannes, and if Cruz follows the same mental concourse that Charlotte Gainsbourg might have endured in the filming of Antichrist, then we can be hopeful that Planet Melancholia resembles something closer to Tarkovsky/Pasolini than dystopian examples such as Blindness or The Road.

Film Movement Does Two-Step Towards ‘Only When I Dance’

Survival in the favelas by way of the ballet? That's what the Film Movement folks are proposing this summer as they become the official dance partners with Beadie Finzi's favela-set documentary film which appears to contain a rags-to denouement and could easily mimic the popularity of Mad Hot Ballroom.

The Game of Death: Docu Film Uses Modern Day Milgram Experiment

Basing itself on the 60's experiment which showed how most people would give unbearable electric shocks to others when encouraged by an authority, Christophe Nick and Thomas Bornot’s documentary The Game Of Death, applies the same approach in the mock form of a TV game show. Adjectives such as amusing, compelling and disturbing come to mind.

Breaking

Club Kid | Review

Interview: Jordan Firstman – Club Kid

I first took notice of Jordan Firstman through his...

Interview: Sandra Wollner – Everytime

One of the discoveries of this year's Cannes Film...

Wild Horse Nine | Review

They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a...

Interview: Stéphane Brizé – A Good Little Soldier

From The Measure of a Man and At War...
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