Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Linsons plan to Runaway with ‘Neon Angels’

At the same that the Linson name was taking off in the movie producing business, the band going by the name of The Runaways...

Exclusive 1st Look: Crazy Love one-sheet

Some couples can’t get enough of one another. Let’s just say that this upcoming June doc tests those limits. When I was first flipping through the film selections offered in this year’s Sundance fest guide, I remembered reading the passage to this Dan Klores' doc and thinking... is this a real life version of the kind of mangled and abusive relationship found in Scorsese’s Raging Bull?

Poster One-sheet: The Golden Door

Emanuele Crialese’s Nuovomondo (known or soon to be known to North American audiences as The Golden Door) was among the cherished films from 06’s...

Strand are ‘Witnesses’ to new Téchiné film

Old school filmmaker André Téchiné (Wild Reeds) will have another one of his films released in the U.S. reports THR. Les Témoins will be released by Strand Releasing....

Edward Norton follows the Green trail

If Batman can do it - so can the Hulk.   Like the Warner Bros. re-launch of the Batman franchise, it didn’t take 3...

Breaking

La bola negra | Review

The Play’s the Thing: Ambrossi & Calvo Connect the...

A Long Winter | 2026 London BFI Film Festival Review

A Gentle Thaw: Haigh’s Measured Drama is Glacial but...

Animol | 2026 London BFI Film Festival Review

Mismanaged Masculinity: Walters’ Gritty Debut Lacks Impactful Style Over...

Artificial | 2026 London BFI Film Festival Review

The End of The World as we Know it:...
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