Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Soderbergh starts work on Che²

Sometimes it’s a whole lot easier to slice that cake in two, than to pick it apart. When projects are the bulky screenplay specimen type then this logic certainly becomes a valid option especially when maximum scrutiny is appealed. Rather than go the 3-plus hour route, Steven Soderbergh is splitting the tale into two pieces written by Peter Buchman. Heck if Clint can do it - so can Steven.

DVD Review: Scarface (Platinum Edition) (1983)

the most chilling shower scene since Psycho depicts the graphic nature of the horrific rivalry between the coke-run street gangs but it also illustrates the genius the filmmaker has for moving camera aesthetics.

Scarface (Platinum Edition) (1983) | DVD Review

the most chilling shower scene since Psycho depicts the graphic nature of the horrific rivalry between the coke-run street gangs but it also illustrates the genius the filmmaker has for moving camera aesthetics.

Eastwood’s Set for ‘Ties’ That Bind

The streets of Hollywood are littered with the husks of broken dreams and lost potential. Often being born to fame guarantees nothing more than life under a microscope. Sometimes however, great careers emerge from the specter of public scrutiny. Alison Eastwood is preparing to follow in her famous father’s footsteps by helming the upcoming Rails and Ties.

Review: Shortbus

"It’s the isolation, the solitudes and the situations in which the characters find themselves in and not the character themselves that are an interesting by-product of the film, and it becomes clear at the midway point that it’s not the anatomy of naked person that is of interest but the possible personality of the naked soul that might be more engrossing."

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