Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2026 European Film Awards: ‘Sentimental Value’ Wins Big while Laxe’s ‘Sirāt’ Nabs Five!

It was perhaps poetic justice for the "2nd place" Cannes Film Festival winner, as Juliette Binoche who handed out the Palme d'Or to Jafar...

2026 Screenwriters Lab Fellows: Eleven Projects Selected Including Sarah Friedland’s ‘The Queue’

The Sundance Institute have unveiled the 2026 Screenwriters Lab (January) and Screenwriters Intensive (March) Fellows with a total of eleven projects (A whopping 3,800...

2026 Berlinale: Nicolás Pereda, Joko Anwar, Ralitza Petrova, Rithy Panh & James Benning in Forum

Rithy Panh looks at Cambodia’s lucrative trade in CO2 certificates and losing the forest in docu Nous sommes les fruits de la forêt, Joko...

2026 Berlinale: Teodora Ana Mihai, Ulrike Ottinger, Hong Sangsoo, Gabe Klinger & Jérémy Comte Selected

Just before they unveil the titles competing for the Golden Bear, we now have a proper overview of some of the other savoury items...

The Ten Golden Globes Narratives That Will Define the 2026 Oscars

Nomination ballots are being filled out today, and with exactly sixty-two days to go until the Academy Awards, last night’s Golden Globes have already...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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