Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Interview: Boris Lojkine – Souleymane’s Story

After winning the Un Certain Regard Jury Prize and the Best Actor award for first-time performer Abou Sangare at the 2024 Cannes Film Festival,...

Interview: Amanda Seyfried – The Testament of Ann Lee

In Mona Fastvold's The Testament of Ann Lee, Amanda Seyfried delivers the kind of performance that is steeped in considerable restraint and conviction, embodying...

Interview: Mona Fastvold – The Testament of Ann Lee

Her cinema deals with female interiority under constraint, isolation as both burden and refuge, and working with the human body as a site of...

Interview: Mounia Akl – Hold Me (If You Want) (Work in Progress)

Exploring the intimate intersections of family, memory, and social constraint, often focusing on characters caught between personal desire and inherited structures, we first met...

ARTE France Cinéma Backs Charlotte Le Bon, Philippe Lesage, Kateryna Gornostai & Diana Cam Van Nguyen

The ARTE France Cinéma committee have thrown some pre-Holiday cheers towards some international co-productions that will for the most part begin filming next year...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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