Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2016 Sundance Film Festival Predictions: John Michael McDonagh’s War On Everyone

Littered with an international cast comprised of Theo James, Stephanie Sigman, Alexander Skarsgård, Michael Peña, Tessa Thompson and Caleb Landry Jones, while John Michael...

2016 Sundance Film Festival Predictions: Gary Michael Schultz’s Vincent-N-Roxxy

Half a dozen shorts, one unheard of horror feature film offering (2013's Devil In My Ride) and several indie producing creds most recently William...

2016 Sundance Film Festival Predictions: Gerardo Naranjo’s Viena and the Fantomes

Four features under his belt (2004's Malachance, 2006's Drama/Mex, 2008's I'm Gonna Explode and 2011's Miss Bala) and Gerardo Naranjo's only history with the Sundance film...

2016 Sundance Film Festival Predictions: Joshua Marston’s Complete Unknown

Remarkably in a career spanning more than a decade, this formerly untitled project counts as Joshua Marston's first feature in the English language and only third feature...

2016 Sundance Film Festival Predictions: Chris Hegedus & D.A. Pennebaker’s Unlocking the Cage

Not everyone in the docu community is fortunate enough to roll at Alex Gibney or Amy Berg-like speeds. Similar to our off-target crystal ball...

Breaking

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...

Romería | Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After...
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