Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

2014 Sundance Film Festival Predictions: Carter Smith’s Jamie Marks Is Dead

While The Ruins, his feature debut, didn't open up the opportunities for this all-in-one talent pool, the best item to come out of Sundance...

2014 Sundance Film Festival Predictions: Maya Forbes’ Infinitely Polar Bear

The scribe behind Monsters vs. Aliens and The Rocker would normally be the last person I'd associate with Sundance, much less the director's chair...but...

2014 Sundance Film Festival Predictions: Mike Cahill’s I: Origins

Fans of Mike Cahill's feature, Special Jury Prize winning debut Another Earth (Sundance '11) were elated when it was announced that Cahill and Brit...

2014 Sundance Film Festival Predictions: Nicholas McCarthy’s Home

Sundance starting breeding this horror-meister way back in 2005 when they invited Nicholas McCarthy to feature his short film Cry for Help. They invited...

2014 Sundance Film Festival Predictions: Kat Candler’s Hellion

I don't think Drake Doremus will be at Sundance this year. Here's hoping that Kat Candler makes a "repeat" into a three-peat. Director of...

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Die My Love | 2025 Cannes Film Festival Review

Images of Yellow Wallpaper: Ramsay Charts a Psychotic Break For...

2025 Cannes Critics’ Panel: Day 5 – Chie Hayakawa’s ‘Renoir’

Gradually making her presence known on the Croisette first...

Des preuves d’amour (Love Letters) | 2025 Cannes Film Festival Review

Evidence of Love: Douard’s Debut Reads Between the Lines...

I Only Rest In The Storm | 2025 Cannes Film Festival Review

White Impact: Pinho Explores the Ponderous Progress Through Post-Colonial...
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