Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Boston Bulger; Magnolia Adds Berlinger’s Gangster Docu to Most Wanted List

A couple of months post festival, and a large number of Sundance preemed docs are being cuffed up by the docu distrib forces around...

Tennis Anyone? Courtside Seats to Infidelity in Denys Arcand’s Le règne de la beauté (Trailer)

By comparison, Quebecois helmer Denys Arcand's output might be one film for every five that Xavier Dolan manages to produce, but nonetheless, his films...

2014 Les Jutras: Archambault’s Gabrielle Wins Best Director & Screenplay, Louis Cyr Outmuscles Pack for Best Film

In a year that saw François Delisle's Le météore (Sundance and Berlin Film Festival accepted film) receive no love (zero nominations), and Denis Côté's...

Who Picked Up Lambert & Stamp? Barker & Bernard’s Sony Pictures Classics That’s Who

Taking a strategic page from big studios dependence on pre-existing characters with a built in fanbase, Sony Pictures Classics docu line-up works with some...

The Odd Couple; Manakamana One Sheet Draws Attention to Charm of Chair Lift Pairings

High above a jungle in Nepal, pilgrims make an ancient journey by cable car to worship Manakamana. Among the treasured items presented at last year's...

Breaking

Team Sport: Suzanne Lindon Places Pierfrancesco Favino in Thorny Situation in ‘L’Équipe’

With Gustave Kervern's Voilà, c'est fini and Guillaume Nicloux's...

Her Private Hell | Review

What Have They Done to Your Daughters?: Refn Returns...

Sheep in the Box | Review

I’m a Cyborg, But That’s OK: Koreeda Explores Cruise...
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