Eric Lavallée

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Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Exclusive articles:

Cannes Critics’ Panel Day 1: Wes Anderson’s Moonrise Kingdom

Click to enlarge. Irrefutably signed Wes Anderson, co-scripted along with Roman Coppola, Moonrise Kingdom is this U.S. indie filmmaker's 7th feature film. Starring newcomers Jared...

Live from Cannes 2012: Introducing Our Cannes Critics’ Panel

And the tradition continues here on IONCINEMA.com. Our twice daily critical snapshot of the Main Competition selected films (22 films in all, plus the...

Inside Cannes 2012 Day 1: Five Quotes from Moonrise Kingdom Press Conference

1. "I use my memory of what I remember wanting to have happened, and having not actually occured." - Wes Anderson Filmmaker comments on the...

Top 20 Alternative Picks for Cannes 2012: Alice Winocour’s Augustine

Augustine - Alice Winocour Buzz: Selected as a Special Screening status for this year's Critics' Week, it was no secret to us that Alice Winocour...

Top 20 Alternative Picks for Cannes 2012: Ulrich Seidl’s Paradise: Love

Paradise: Love - Ulrich Seidl Buzz: While part of the elite class of filmmakers who’ve attained Main Competition status (now for a second time), I...

Breaking

2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...
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