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TIFF 2011 Buyer’s Club: #2. Tanya Wexler’s Hysteria
With the foul sounding idea of goofy male doctors playing with the most intimate parts of women, this costumey ensemble comedy choose the perfect lieu to preem this laugher as Toronto's baby boomer generation should be rolling in the aisles and giving this a standing or sitting O... pun intended. The distributor who picks this up will either be SPC or the company that bids higher than SPC.
TIFF 2011 Buyer’s Club: #3. Fernando Mereilles’ 360
An emotionally naked and distraught Rachel Weisz could be a major kudos mention and in what should be an astute pen-job by Peter Morgan, we think this has the potential to cross into several demos. Bidding war should involving the likes of Focus, Searchlight and the Weinsteins is a certainty.
TIFF 2011 Buyer’s Club: #4. Oren Moverman’s Rampart
The Messenger was/is distinct indie fare, but Moverman's sophomore effort might fall into the "Drive" category -- accessible, larger audience films with an auteur treatment with plenty of attention to the details (look, performance, tone). The James Ellroy adapted dirty cop tale is based on true events and with a larger, more recognizable cast, and a re-pairing of Woody Harrelson and Ben Foster, there would appear to be more guarantee for the buck (award nominations, wide theatrical release).
TIFF 2011 Buyer’s Club: #5. Juan Carlos Fresnadillo’s Intruders
I haven't done the box office math, but citing Guillermo del Toro's contributions as filmmaker in the genre, modern day Spanish produced horror thrillers work well - especially those that have a duel timeline and where the recognizable lead is Clive Owen speaking in his mother tongue. It might be the only film of the festival to attract a bid from the major studios, so it's unlikely that the likes of IFC Midnight or Magnet Releasing will find a bargain here as helmer Juan Carlos Fresnadillo has a proven reputation in delivering the goods.
TIFF 2011 Buyer’s Club: #6. Mary Harron’s The Moth Diaries
Working against the film is the fact that it is fronted by a mostly unknown pair of young female actors (Lily Cole is not An A-lister yet), and while high school and horror are as bland and unoriginal of a match as PB&J is, we need to take into consideration that this is a helmer who gave us American Psycho and that there is a demographic out there that will assure a healthy box office return. Just prior, it'll have shown in Venice, but firm offers for NA rights should be aplenty once it shows in Toronto.
