Exclusive articles:
YES | Review
Break My Soul: Lapid Explores Compromised Artistry During Wartime
Essentially, YES, the latest film from Israeli auteur Nadav Lapid, is a portrait of an artist...
Kontinental ’25 | Review
Can You Ever Forgive Me?: Jude Skewers the Status Quo
Ownership is an unsaid key word in Kontinental ’25, the latest perambulating spasm from Romanian...
Alpha | Review
Turn to Stone: Ducournau Hits a Wall with Disease Allegory
“Death is the cure for all illness,” wrote English writer Thomas Browne, which is a...
Pompei: Below the Clouds | Review
Staples of Naples: Rosi Sifts Through Timeworn Sediments
The past informs the present of modern day Naples in Below the Clouds, the latest documentary from...
The Stranger (L’étranger) | Review
Anatomy of a Mime: Ozon Explores the Seduction of Indifference
Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...
