Exclusive articles:
The Good Sister (Schwesterherz) | 2025 Berlin Intl. Film Festival Review
Sister, My Sister: Fischer Tests the Moral Fibers of Familial Bonds
An ethical dilemma curdles in the heart of Sarah Miro Fischer’s directorial debut Schwesterherz...
Living the Land | 2025 Berlin Intl. Film Festival Review
Land of Steady Habits: Meng Reflects Familial Upheaval in Quiet Saga
“Isn’t it queer: there are only two or three human stories, and they go...
Home Sweet Home | 2025 Berlin Intl. Film Festival Review
Sofie, Homemaker: Petersen Banks on Undervalued Emotional Labor
Danish director Frelle Petersen’s latest title Home Sweet Home (Hjem kaere hjem) aims to showcase the significant...
Das Licht | 2025 Berlin Intl. Film Festival Review
Wasting Electricity: Tykwer Illuminates a Narrative Void
Despite revealing itself to be an interconnected rumination on aspects of the soul, Tom Tykwer’s Das Licht (The...
Parthenope | Review
The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady
It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced...
