Nicholas Bell

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Los Angeles based Nicholas Bell is IONCINEMA.com's Chief Film Critic and covers film festivals such as Sundance, Berlin, Cannes and TIFF. He is part of the critic groups on Rotten Tomatoes, The Los Angeles Film Critics Association (LAFCA), FIPRESCI, the Online Film Critics Society (OFCS) and GALECA. His top 3 for 2023: The Beast (Bonello) Poor Things (Lanthimos), Master Gardener (Schrader). He was a jury member at the 2019 Cleveland International Film Festival.

Exclusive articles:

Top 100 Most Anticipated Foreign Films of 2016: #20. Bruno Dumont’s Ma Loute (Slack Bay)

Ma Loute Director: Bruno Dumont Writer: Bruno Dumont After making his first foray into television with 2014's wonderfully strange Li'l Quinquin (read review), Bruno Dumont returns to...

Top 100 Most Anticipated Foreign Films of 2016: #21. Park Chan-wook’s The Handmaid

The Handmaid Director: Park Chan-wook Writer: Park Chan-wook Despite being attached to a number of projects following his first foray into the English language with the underwhelmingly...

Top 100 Most Anticipated Foreign Films of 2016: #22. Stéphane Brizé’s Une Vie

Une Vie Director: Stéphane Brizé Writers: Stéphane Brizé, Florence Vignon Following his critically acclaimed The Measure of Man, which took home a Best Actor award for Vincent...

Top 100 Most Anticipated Foreign Films of 2016: #23. Asghar Farhadi’s The Salesman

The Salesman Director: Asghar Farhadi Writer: Asghar Farhadi Another Iranian auteur who recently dipped out of his native country is Asghar Farhadi, whose 2013 title The Past...

Top 100 Most Anticipated Foreign Films of 2016: #24. Aleksey German Jr.’s Dovlatov

Dovlatov Director: Aleksey German Jr. Writer: Aleksey German Jr., Katherine Dovlatov Since helping to complete his father’s posthumous opus Hard to Be a God, Russian director Aleksey...

Breaking

Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...
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