Exclusive articles:
Two Prosecutors | Review
Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté
A good man is hard to find, and if one were to be found, he’s likely...
The Most Precious Of Cargoes | Review
The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in...
Romería | Review
Blood Relatives: Simon Treads Familiar Water with Continued Autofiction
After winning the Golden Bear at the Berlin Film Festival for her 2022 sophomore film Alcarras,...
La petite dernière (The Little Sister) | Review
The Lost Daughter: Herzi Passes Up Potency in Standard Adaptation
“My name is Fatima,” is one of the constant refrains utilized in Fatima Daas’ celebrated...
Renoir | Review
Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait
Going in the opposite direction of her 2022 debut Plan 75, a sci-fi meditation on Japan’s aging...
