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Maid in Paris: Music Box Films Works Overtime for Eric Gravel’s “Full-Time“
September 26, 2022France’s pick to represent the country at the Oscars is in, but Music Box Films had...
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Oscilloscope Isn’t Horsing Around with Ann Oren’s “Piaffe”
September 22, 2022This week the Oscilloscope folks went shopping adding a Locarno comp title to their future slate....
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Dirty Dane: Emil Johnsen Confronts Painful Past in Isabella Eklöf’s “Kalak”
September 20, 2022In terms of new trauma triggering old trauma experiences, her debut film Holiday was no walk...
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Zero Gravity: Katherine Waterston Floats Over to Mahalia Belo’s “The End We Start From”
August 25, 2022After lassoing Jodie Comer to topline, Mahalia Belo‘s feature film debut will also include some major...
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Hannah and Her “Sisters”: Ida Engvoll Toplines Mika Gustafson’s Fiction Feature Debut
August 24, 2022It’s Swedish female filmmaker day here on the site. Isabella Carbonell is headed to Venice with...
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Out of this World: Lyna Khoudri Joins Bruno Dumont’s “L’Empire”
August 24, 2022A film project that originally had (at different junctures) the likes of Virginie Efira, Lily-Rose Depp...
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Oscars: Canada Selects Jason Loftus’ Docu-Animated Hybrid “Eternal Spring” as Best Intl. Feature Hopeful
August 24, 2022In a move that reflects the nation’s diverse, multi-language backdrop, Canada won’t be backing the usual...
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Exclusive Clips: Twins Screaming Silently in Isabella Carbonell’s “Dogborn”
August 24, 2022Among the seven-film competition line-up in the 2022 Venice Intl. Film Critics’ Week we find the...
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Sisterly Love: Vanessa Filho Builds Mistrust with Nina Hoss & Vanessa Paradis in Gender-Bending Thriller “Trespassers”
August 23, 2022She has just wrapped her sophomore project Le Consentement this past June and Vanessa Filho has already...
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Emotional Distress: Bertrand Bonello Begins Production on “La Bête”
August 22, 2022Our friends at Cineuropa inform us that Bertrand Bonello has begun production on La Bête –...