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Suck Your Blood: Antonin Peretjatko Lands Laure Calamy & Vimala Pons for “Vade retro”
June 14, 2023French filmmaker Antonin Peretjatko is set to sink his teeth into his fourth feature film and...
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Day for Night: Production Begins on Tolga Karacelik’s “Shallow Tale” with Steve Buscemi
June 10, 2023Production has officially begun on Tolga Karacelik‘s fourth feature film. Following 2018’s Sundance/Rotterdam preemed Butterflies –...
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Shepherd’s High: Sophie Deraspe Currently Filming “Berger” with Félix-Antoine Duval
June 8, 2023French Canadian filmmaker Sophie Deraspe is currently taking big gulps of the French Alps for her...
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Nursing the Wound: Payal Kapadia Embarks on Roadtrip for “All We Imagine As Light”
June 8, 2023A project we’ve earmarked for a possible Cannes Film Festival showcase next year, Payal Kapadia‘s fiction...
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Father Figure: Anders Danielsen Lie & Woody Norman Find a Cabin in Vladimir de Fontenay’s “Sukkwan Island”
June 7, 2023After focusing on the rift between single mother and young child in his Directors’ Fortnight selected...
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Benoît Magimel is a Slave to the Trade: Simon Moutaïrou Begins Production on “Ni chaînes ni maîtres”
June 7, 2023He managed to “outdo” his 2022 Cannes experience of Revoir Paris and Albert Serra’s masterwork Pacifiction,...
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Tricolour Fourth: Monia Chokri Moves to France for Her Next Feature
June 6, 2023Another small blurb in the Le film français provides us with an update on what is...
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Leos Carax Currently Lensing “C’est pas moi” & Arnaud Desplechin Prepping “Spectateurs”
June 6, 2023A small blurb in the Le film français profiling Charles Gillibert (and his prod company CG...
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Dude (Looks Like A Lady): Sandra Hüller Toplines Markus Schleinzer’s Gender Bender “Rose”
June 1, 2023Austrian filmmaker (and a supporting player on a slew of recent films) Markus Schleinzer is finally...
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2023 Cannes Clip: Losing Half the Pie and a Lot More in Amjad Al Rasheed’s Inshallah a Boy
May 15, 2023Part of a large wave of Arab cinema covering all sections of this year’s Cannes Film...