Interview: Kleber Mendonça Filho & Wagner Moura – The Secret Agent

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Winner of the Best Director and Best Actor prizes at Cannes Film Festival, The Secret Agent brought together Kleber Mendonça Filho and Wagner Moura for the first time in a collaboration that blends political urgency with cinematic prowess. Set in 1977 under Brazil’s military dictatorship, this follows a man living under a stolen identity in Recife, where the threat of surveillance and the fear of disappearance shape every decision he makes. Both artists bring their shared regional roots and long-standing political engagement to the project, making the film not just a portrait of a dark historical moment but an act of remembrance. These themes align closely with the artistic trajectories of Mendonça Filho and Moura — with the filmmaker who treats the city of Recife as both setting and character—a living archive of memories, injustices, and social contradictions from Neighboring Sounds to Pictures of Ghosts). Moura, meanwhile, has navigated a varied career with political subject matter and with characters caught between personal conviction and oppressive systems. I had the chance to ask Kleber how the research component was part of the screenplay blueprint while I asked Wagner about him connecting with the material. NEON releases The Secret Agent theatrically today.

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

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