Anything But Crude; RADiUS Dives into Margaret Brown’s “The Great Invisible”

Date:

RADiUS’ Tom Quinn and Jason Janego have traded in suit & tie garb for some wetsuit gear as they’ve landed the rights to Margaret Brown’s SXSW Grand Jury Award-winning docu. On our radar for several years now, The Great Invisible will be released theatrically this year. Peg this as a awards contender at the Cinema Eye Honors & Oscars.

Gist: On April 20, 2010, communities throughout the Gulf Coast of the United States were devastated by the explosion of the Deepwater Horizon, a state-of-the-art, offshore oilrig operated by BP in the Gulf of Mexico. The blast killed 11 of 126 rig crewmembers and injured many more, setting off a fireball that was seen 35 miles away. After burning for two days, the Deepwater Horizon sank, causing the largest offshore oil spill in American history. The spill flowed unabated for almost three months, dumping hundreds of millions of gallons of oil into the Gulf of Mexico and the Atlantic ocean, shutting down the local fishing industry, polluting the fragile ecosystem, and raising serious questions about the safety of continued deep-water offshore drilling.

Worth Noting: A regular contributor to the works of David Gordon Green and Jeff Nichols, David Wingo composed the score for The Great Invisible. Next up: TIFF items Maggie (Henry Hobson) and Green’s Manglehorn.

Do We Care?: Fans of the filmmaker’s visual and narrative approach to the docu-form since Be Here to Love Me: A Film About Townes Van Zandt, word from Austin is that this coined “thriller ” might be Brown’s best work to date and the subject has yet.

 

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...

Interview: Lukas Dhont – Coward | 2026 Cannes Film Festival

Following the Grand Prix–winning Close, Belgian filmmaker Lukas Dhont...