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Sundance ’15: Me and Earl and the Dying Girl Find Friends at Sundance, James White Receives Audience Embrace

Following in the footsteps of Fruitvale Station and Whiplash before it, the most talked about title in Alfonso Gomez-Rejon’s Me and Earl and the Dying Girl claimed both the U.S. Dramatic Grand Jury Prize and U.S. Dramatic Audience Award. Crystal Moselle’s audience favorite might not have claimed the Audience Award (Meru), but the family featured in The Wolfpack landed a much coveted U.S. Documentary Grand Jury Prize. Matthew Heineman’s unfathomably constructed Cartel Land landed to Jury Prizes in Best Director and Excellence in Cinematography. In stellar NEXT, the unique prize went to Josh Mond’s brilliant directorial debut James White. Here is the press release and all the winners.

The U.S. Grand Jury Prize: Documentary was presented by Gordon Quinn to:
The Wolfpack / U.S.A. (Director: Crystal Moselle)

The U.S. Grand Jury Prize: Dramatic was presented by Edgar Wright to:
Me and Earl and the Dying Girl / U.S.A. (Director: Alfonso Gomez-Rejon, Screenwriter: Jesse Andrews)

The World Cinema Grand Jury Prize: Documentary was presented by Mark Cousins to:
The Russian Woodpecker / United Kingdom (Director: Chad Gracia)

The World Cinema Grand Jury Prize: Dramatic was presented by Col Needham to:
Slow West / United Kingdom, New Zealand (Director and screenwriter: John Maclean)

The Audience Award: U.S. Documentary, Presented by Acura was presented by Adam Scott to:
Meru / U.S.A. (Directors: Jimmy Chin, E. Chai Vasarhelyi)

The Audience Award: U.S. Dramatic, Presented by Acura was presented by Kevin Pollak to:
Me and Earl and the Dying Girl / U.S.A. (Director: Alfonso Gomez-Rejon, Screenwriter: Jesse Andrews)

The Audience Award: World Cinema Documentary was presented by Patrick Fugit to:
Dark Horse / United Kingdom (Director: Louise Osmond)

The Audience Award: World Cinema Dramatic was presented by Patrick Fugit to:
Umrika / India (Director and screenwriter: Prashant Nair)

The Audience Award: NEXT, Presented by Adobe was presented by Kevin Corrigan to:
James White / U.S.A. (Director and screenwriter: Josh Mond)

The Directing Award: U.S. Documentary was presented by Roger Ross Williams to:
Matthew Heineman for Cartel Land / U.S.A., Mexico (Director: Matthew Heineman)

The Directing Award: U.S. Dramatic was presented by Cary Fukunaga to:
Robert Eggers for The Witch / U.S.A., Canada (Director and screenwriter: Robert Eggers)

The Directing Award: World Cinema Documentary was presented by Elena Fortes to:
Kim Longinotto for Dreamcatcher / United Kingdom (Director: Kim Longinotto)

The Directing Award: World Cinema Dramatic was presented by Taika Waititi to:
Alanté Kavaïté for The Summer of Sangaile / Lithuania, France, The Netherlands (Director and screenwriter: Alanté Kavaïté)

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Winona Ryder to:
Tim Talbott for The Stanford Prison Experiment / U.S.A. (Director: Kyle Patrick Alvarez, Screenwriter: Tim Talbott)

A U.S. Documentary Special Jury Award for Social Impact was presented by Michele Norris to:
Marc Silver for 3½ MINUTES / U.S.A. (Director: Marc Silver)

A U.S. Documentary Special Jury Award for Vérité Filmmaking was presented by Eugene Hernandez to:
Bill Ross and Turner Ross for Western / U.S.A., Mexico (Directors: Bill Ross, Turner Ross)

A U.S. Documentary Special Jury Award for Break Out First Feature was presented by Eugene Hernandez to:
Lyric R. Cabral and David Felix Sutcliffe for (T)ERROR / U.S.A. (Directors: Lyric R. Cabral, David Felix Sutcliffe)

A U.S. Documentary Special Jury Award for Cinematography was presented by Kristen Johnson to:
Matthew Heineman for Cartel Land / U.S.A., Mexico (Director: Matthew Heineman)

A U.S. Dramatic Special Jury Award for Excellence in Cinematography was presented by Lance Acord to:
Brandon Trost for The Diary of a Teenage Girl / U.S.A. (Director and screenwriter: Marielle Heller)

A U.S. Dramatic Special Jury Award for Excellence in Editing was presented by Sarah Flack to:
Lee Haugen for Dope / U.S.A. (Director and screenwriter: Rick Famuyiwa)

A U.S. Dramatic Special Jury Award for Collaborative Vision was presented by Winona Ryder to:
Advantageous / U.S.A. (Director: Jennifer Phang, Screenwriters: Jacqueline Kim, Jennifer Phang)

A World Cinema Documentary Special Jury Award for Unparalleled Access was presented by Elena Fortes to:
The Chinese Mayor / China (Director: Hao Zhou)

A World Cinema Documentary Special Jury Award for Impact was presented by Mark Cousins to:
Pervert Park / Sweden, Denmark (Directors: Frida Barkfors, Lasse Barkfors)

A World Cinema Documentary Special Jury Award for Editing was presented by Ingrid Kopp to:
Jim Scott for How to Change the World / United Kingdom, Canada (Director: Jerry Rothwell)

A World Cinema Dramatic Special Jury Award for Cinematography was presented by Taika Waititi to:
Germain McMicking for Partisan / Australia (Director: Ariel Kleiman, Screenwriters: Ariel Kleiman, Sarah Cyngler)

A World Cinema Dramatic Special Jury Award for Acting was presented by Col Needham to:
Jack Reynor for Glassland / Ireland (Director and screenwriter: Gerard Barrett)

A World Cinema Dramatic Special Jury Award for Acting was presented by Mia Hanson-Løve to:
Regina Casé and Camila Márdila for The Second Mother / Brazil (Director and screenwriter: Anna Muylaert)

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).

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